18 July 2026
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The film Kamahl: Against All Odds – produced by Rajiv Chaudhri, directed by Iqbaal Rizzvi and Rajiv Chaudhri, written by Brian Stoddart, and featuring a music score by Alfredo Zotti – premiered on 12 November at Event Cinemas, Castle Hill. The launch was jointly organised by the Community Foundation of Western Sydney in association with India Club Inc.

The film traces the highs and lows experienced by one of the Australia’s greatest singers Kamahl over seventy years, and sets them in that broader story to help explain the changing of Australia.Kandiah Kamalesvaran’s story is a touchstone to the evolution of multicultural Australia with all its strengths and challenges.

Born in 1930s British Malaya, he grew up in Kuala Lumpur’s Brickfields section, the heartland of the country’s Indian and Sri Lankan Tamil community that sprang from the indentured labour system underpinning the rubber, sugar and palm oil industries. In 1953, at the height of the communist “emergency”, his family pooled resources to send him to Adelaide, an early version starter in what became a major Malaysian international student flow to Australia.

Born into a musical family, he was more interested in singing than studying, so became a feature in the city’s restaurants and halls as he adapted to language, food, dress, lifestyle, attitudes and prejudices. An early break had him heard by newspaper baron Rupert Murdoch who arranged a gig for him at the Australia Hotel in Sydney, and that set the life story in motion. It also began the cultural story. By then, Australia’s postwar migration rush was dominated by southern Europeans, the country still in thrall to a White Australia Policy that had kept Asians and people of colour out since 1901 and survived until 1973.

When Kandiah Kamalesvaran arrived in Australia, then, “Asians” accounted for approximately 0.21% of the total population – he was in a distinct and noticeable minority that has since grown to around 18%. He was soon in demand, though, but his name was “impossible” to prounce,  so he came up with “Kamal” – the classic Australian trick of shortening a name into less challenging form. But with that inevitably pronounced as “camel,” he introduced the ’h’ and Kamahl it was.

From that point, Kamahl’s story has mirrored that of Asian migrants to Australia as a whole, and the evolution of multicultural Australia itself – the balance between opportunity and challenge, the search for belonging, the need for inclusion, the striving for equality and recognition, and the need to be more than the “Other.”

The highlight of the film launch was Kamahl’s presence. He not only signed copies of his biography but also delighted the audience with a beautiful song. The organisers surprised him with a birthday cake, celebrating his milestone 90th birthday, which fell the very next day. His life and journey stand as a powerful reminder that it is possible to carve a place for oneself – against all odds.

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